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The Stories—and Stakes—of War in Israel Bari Weiss

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If you’ve been following our coverage at The Free Press, you’ve noticed that we’ve been covering the war in Israel nonstop since it began. We’ve never produced this much content in this short of a time about a single subject. Some of you might be thinking, why? 

On October 7, we saw the single biggest massacre of the Jewish people since the Holocaust. But unlike the Holocaust, in which Germans tried to hide their war crimes, here we have the terrorists streaming it in real time on every social media platform across the internet. When the reports, and the videos, started circulating, we thought: surely this amount of blood and horror will be enough to shake the world awake. 

And yet it wasn’t. Internationally, some of the most educated people—including students, professors, and administrators at the most elite universities in the world—have either equivocated or remained silent in the face of mass atrocities. Others, by the tens of thousands, have taken to the streets to rejoice in the terrorist attack, screaming “resistance is justified” and “glory to the martyrs.” 

That is why this story matters. Because this is not just a war in a faraway land. It’s a battle for civilization. As my friend Sam Harris recently said, “There are not many bright lines that divide good and evil in our world, but this is one of them.” 

This war should matter to everyone—not just Jews—who care about the future of civilization. Because if there is one lesson from history, it’s that what starts with the Jews never ends with the Jews. And societies in which the Jewish people are persecuted are societies in which no one is safe. 

And that is why we will continue to report on this war with such urgency. 

On today’s episode, we feature some of that reporting. You’ll hear just some of the stories of the more than three dozen Israelis we have spoken to. We talk to a woman, Shaked, who tells us that eleven of her family members—including her three- and eight-year-old niece and nephew—were taken hostage by Hamas. We talk to survivors of the Nova music festival, like Amit and Chen, who miraculously escaped—some by hiding in bushes for hours—as they watched their friends get killed, “like sheep to be slaughtered,” just next to them. We talk to a father whose son was kidnapped from the music festival, and to a mother whose daughter was killed there. We talk to a grandmother who hid in the safe room of her home for hours with her 10-day-old grandson as terrorists shot at the door. 

These stories are difficult to hear. But we will keep reporting them.

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Is a Foreign Adversary Flying Drones over New Jersey? Madeleine Kearns

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For the past four weeks, car-sized objects have been reported flying over critical infrastructure and military assets in New Jersey. They come from the ocean, appearing around sunset, and sometimes turn off their lights. Residents demand answers, but despite scrambling for information, state and local authorities say they remain largely in the dark.

But on Wednesday, Rep. Jeff Van Drew (R-NJ) offered what he said was “the real deal” explanation of the mysterious drones. “Iran launched a mothership that contains these drones. It’s off the East Coast of the United States of America,” he told Fox News.

Van Drew’s account, which he said came from “very high, very qualified, very responsible” sources, was startling.

Yet in a matter of hours, the Pentagon dismissed his claims out of hand. “There is no Iranian ship off the coast of the United States and there’s no so-called ‘mothership’ launching drones toward the United States,” said Sabrina Singh, the Pentagon spokeswoman. “We’re going to continue to monitor what is happening, but at no point were our installations threatened.”


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Niall Ferguson: The Vibe Shift Goes Global Niall Ferguson

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I am a 60-year-old Scotsman with a penchant for red suspenders, oolong tea, and the novels of Walter Scott—so no one will ever accuse me of being an arbiter of cool. But to understand politics and even geopolitics you have to understand culture, which is sometimes—often—upstream of both. And to understand culture you have to understand, well, vibes.

Specifically, vibe shifts.

The pop culture commentator Sean Monahan identified three mini-epochs between 2003 and 2020: Hipster/Indie (ca. 2003–9), Post-Internet/Techno (ca. 2010–16), and Hypebeast/Woke (ca. 2016–20). Each was defined by a distinct aesthetic, and the vibe shift from one to the other was swift and palpable. As the pandemic receded, New York magazine’s Allison P. Davis predicted that another vibe shift had to be approaching. (And indeed, Monahan has dubbed the new epoch “Pilled/Scene.”)

I confess none of this meant much to me. I couldn’t tell a hypebeast from a hipster if my life depended on it.

But the term finally clicked—and acquired a powerful significance—when it was imported to the world of tech. In a clever Substack post in February, Santiago Pliego tried to sum up the change that had occurred from the epoch of woke—which began with the cancellation of James Damore by Google in 2017—to the unfiltered era of Elon Musk’s X.


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December 11, 2024 Heather Cox Richardson

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