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December 28, 2023 Heather Cox Richardson

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On the clear, cold morning of December 29, 1890, on the Pine Ridge Reservation in South Dakota, three U.S. soldiers tried to wrench a valuable Winchester away from a young Lakota man. He refused to give up his hunting weapon. It was the only thing standing between his family and starvation, and he had no faith it would be returned to him as the officer promised: he had watched as soldiers had marked other confiscated valuable weapons for themselves. 

As the men struggled, the gun fired into the sky.

Before the echoes died, troops fired a volley that brought down half of the Lakota men and boys the soldiers had captured the night before, as well as a number of soldiers surrounding the Lakotas. The uninjured Lakota men attacked the soldiers with knives, guns they snatched from wounded soldiers, and their fists.

As the men fought hand to hand, the Lakota women who had been hitching their horses to wagons for the day’s travel tried to flee along the nearby road or up a dry ravine behind the camp. Stationed on a slight rise above the camp, soldiers turned rapid-fire mountain guns on them. Then, over the next two hours, troops on horseback hunted down and slaughtered all the Lakotas they could find: about 250 men, women, and children.

A dozen years ago, I wrote a book about the Wounded Knee Massacre, and what I learned still keeps me up at night. But it is not December 29 that haunts me. 

What haunts me is the night of December 28.

On December 28 there was still time to avert the massacre.

In the early afternoon, the Lakota leader Sitanka had urged his people to surrender to the soldiers looking for them. Sitanka was desperately ill with pneumonia, and the people in his band were hungry, underdressed, and exhausted. They were making their way south across South Dakota from their own reservation in the northern part of the state to the Pine Ridge Reservation. There they planned to take shelter with another famous Lakota chief, Red Cloud. His people had done as Sitanka asked, and the soldiers escorted the Lakotas to a camp on South Dakota’s Wounded Knee Creek, inside the boundaries of the Pine Ridge Reservation.

For the soldiers, the surrender of Sitanka’s band marked the end of what they called the Ghost Dance Uprising. It had been a tense month. Troops had pushed into the South Dakota reservations in November, prompting a band of terrified men who had embraced the Ghost Dance religion to gather their wives and children and ride out to the Badlands. But at long last, army officers and negotiators had convinced those Ghost Dancers to go back to Pine Ridge and turn themselves in to authorities before winter hit in earnest.

Sitanka’s people were not part of the Badlands group and, for the most part, were not Ghost Dancers. They had fled from their own northern reservation two weeks before when they learned that officers had murdered the great leader Sitting Bull in his own home. Army officers were anxious to find and corral Sitanka’s missing Lakotas before they carried the news that Sitting Bull had been killed to those who had taken refuge in the Badlands. Army leaders were certain the information would spook the Ghost Dancers and send them flying back to the Badlands. They were determined to make sure the two bands did not meet.

But South Dakota is a big state, and it was not until late in the afternoon of December 28 that the soldiers finally made contact with Sitanka’s band. The encounter didn’t go quite as the officers planned: a group of soldiers were watering their horses in a stream when some of the traveling Lakotas surprised them. The Lakotas let the soldiers go, and the men promptly reported to their officers, who marched on the Lakotas as if they were going to war. Sitanka, who had always gotten along well with army officers, assured the commander that the band was on its way to Pine Ridge and asked his men to surrender unconditionally. They did.

By this time, Sitanka was so ill he couldn’t sit up and his nose was dripping blood. Soldiers lifted him into an army ambulance—an old wagon—for the trip to the Wounded Knee camp. His ragtag band followed behind. Once there, the soldiers gave the Lakotas an evening ration and lent army tents to those who wanted them. Then the soldiers settled into guarding the camp.

And the soldiers celebrated, for they saw themselves as heroes of a great war, and it had been bloodless, and now, with the Lakotas’ surrender, they would be demobilized back to their home bases before the South Dakota winter closed in. As they celebrated, more and more troops poured in. It had been a long hunt across South Dakota for Sitanka and his band, and officers were determined the group would not escape them again. 

In came the Seventh Cavalry, whose men had not forgotten that their former leader George Armstrong Custer had been killed by a band of Lakota in 1876. In came three mountain guns, which the soldiers trained on the Indian encampment from a slight rise above the camp.

For their part, the Lakotas were frightened. If their surrender was welcome and they were going to go with the soldiers to Red Cloud at Pine Ridge, as they had planned all along, why were there so many soldiers, with so many guns?

On this day and hour in 1890, in the cold and dark of a South Dakota December night, there were soldiers drinking, singing, and visiting with each other, and anxious Lakotas either talking to each other in low voices or trying to sleep. No one knew what the next day would bring, but no one expected what was going to happen.

One of the curses of history is that we cannot go back and change the course leading to disasters, no matter how much we might wish to. The past has its own terrible inevitability.

But it is never too late to change the future.

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Is a Foreign Adversary Flying Drones over New Jersey? Madeleine Kearns

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For the past four weeks, car-sized objects have been reported flying over critical infrastructure and military assets in New Jersey. They come from the ocean, appearing around sunset, and sometimes turn off their lights. Residents demand answers, but despite scrambling for information, state and local authorities say they remain largely in the dark.

But on Wednesday, Rep. Jeff Van Drew (R-NJ) offered what he said was “the real deal” explanation of the mysterious drones. “Iran launched a mothership that contains these drones. It’s off the East Coast of the United States of America,” he told Fox News.

Van Drew’s account, which he said came from “very high, very qualified, very responsible” sources, was startling.

Yet in a matter of hours, the Pentagon dismissed his claims out of hand. “There is no Iranian ship off the coast of the United States and there’s no so-called ‘mothership’ launching drones toward the United States,” said Sabrina Singh, the Pentagon spokeswoman. “We’re going to continue to monitor what is happening, but at no point were our installations threatened.”


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Niall Ferguson: The Vibe Shift Goes Global Niall Ferguson

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I am a 60-year-old Scotsman with a penchant for red suspenders, oolong tea, and the novels of Walter Scott—so no one will ever accuse me of being an arbiter of cool. But to understand politics and even geopolitics you have to understand culture, which is sometimes—often—upstream of both. And to understand culture you have to understand, well, vibes.

Specifically, vibe shifts.

The pop culture commentator Sean Monahan identified three mini-epochs between 2003 and 2020: Hipster/Indie (ca. 2003–9), Post-Internet/Techno (ca. 2010–16), and Hypebeast/Woke (ca. 2016–20). Each was defined by a distinct aesthetic, and the vibe shift from one to the other was swift and palpable. As the pandemic receded, New York magazine’s Allison P. Davis predicted that another vibe shift had to be approaching. (And indeed, Monahan has dubbed the new epoch “Pilled/Scene.”)

I confess none of this meant much to me. I couldn’t tell a hypebeast from a hipster if my life depended on it.

But the term finally clicked—and acquired a powerful significance—when it was imported to the world of tech. In a clever Substack post in February, Santiago Pliego tried to sum up the change that had occurred from the epoch of woke—which began with the cancellation of James Damore by Google in 2017—to the unfiltered era of Elon Musk’s X.


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December 11, 2024 Heather Cox Richardson

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