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Part Two: New Year’s Day Special with Golden Globe winning Film Director Martin Brest, who directed Scent of a Woman, Midnight Run and other films, on the Genius of Charlie Chaplin. Chris Hedges
Few individuals did more to shape modern cinema than the actor, director and producer Charlie Chaplin. One of the greatest of all comic mimes he also pioneered cinematic techniques and story-telling. His films, with his iconic role as the beleaguered little tramp with baggy trousers, moustache, cane and bowler hat, were not only comic masterpieces, but unflinching looks at poverty, unemployment, capitalist exploitation, the callousness of authority, the search for meaning and dignity in a hostile world and the yearning for love and acceptance. He argued that drama should be derived from the close observation of life. He refused to follow the conventions, including the penchant for exaggerated melodrama, perfecting his work with hundreds of takes, subtle acting and nuanced facial expressions. He created full length feature films with highly crafted plots and characters. He strove, he said, “to put across the philosophical doubt I feel about things and people.” His films, he said, were a metaphysical excercise, an attempt to unmask as “absurd, antiquated, and unfair to humanity” the idea that there exists “a cosmos where humans were held responsible for their actions or the results of their actions.” The French filmmaker Jean Luc Goddard wrote of Chaplin that “while remaining marginal to the rest of cinema” he “ended up filling this margin with more things (what other word can one use: ideas, gags, intelligence, honor, beauty, movement?) than all directors together have put in a whole book.” Chaplin, the most famous silent film star of his era, swiftly earned the enmity of J. Edgar Hoover and the FBI who saw in his poignant portrayals of the marginalized and forgotten political subversion. The FBI, which began investigating Chaplin in 1922 and would amass an FBI file of 1,900 pages on him for his alleged “communist sympathies,” finally drove him into exile. In 1952, while Chaplin was in London for the premier of his film Limelight, the U.S. Attorney General revoked Chaplin’s re-entry permit. This ended his Hollywood career. He would spend the rest of his life in Switzerland. Joining me to discuss the importance and legacy of Charlie Chaplin is the film director, screenwriter and producer Martin Brest. Martin has directed numerous films some of which include Midnight Run with Robert De Niro, for which he won a Golden Globe Nomination for Best Motion Picture, Scent of a Woman with Al Pacino, for which he won the Golden Globe for Best Motion Picture, with Pacino winning for Best Actor along with the blockbuster Beverly Hills Cop, nominated for the Golden Globe Award for Best Motion Picture and the Academy Award for Best Original Screenplay.
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Inside Assad’s ‘Human Slaughterhouse.’ Plus. . . Oliver Wiseman
It’s been nearly a week since the stunning collapse of the Assad regime.
The end of more than half a century of brutal dictatorship in Syria is—to state the obvious—a major geopolitical moment. It has embarrassed Tehran; caught Washington off guard; and upended many assumptions about the region.
The fallout is only beginning. In Damascus, the victorious Islamist rebels are attempting to consolidate political power. In a video message Friday, their leader Abu Mohammad al-Jolani, congratulated “the great Syrian people for the victory of the blessed revolution” and invited them “to head to the squares to show their happiness without shooting bullets and scaring people.”
But there’s more to the story than simply a nation rejoicing—however welcome Bashar al-Assad’s departure may be. Many are worried that the latest chaos could allow for the reemergence of ISIS—which explains why America hit ISIS camps in Syria with airstrikes earlier this week. Meanwhile, in the north of the country, Turkish-backed rebels are fighting U.S.-backed Kurds. And in southwestern Syria, Druze villages are voting to request that Israel annex their territory. Indicators of a nation—and a region—in flux.
Among those anxiously wondering what comes next are Syria’s 500,000 Christians.
For her report for The Free Press today, Madeleine Rowley spoke to Syrian Christians who are worried about the future. One of them is Elias, a 21-year-old living in Berlin but whose family is in Damascus. “If anything happens to us, do not come back to Syria,” his mother told him in a voice message earlier this week. “Do not come to bury us.”
Elias fears the worst. “We have no reason to trust al-Jolani,” he tells The Free Press. “He is a terrorist.”
Read Madeleine Rowley’s full story on what’s next for Syria’s Christians here.
Many of those looking forward with trepidation are also looking back with horror. In the days since the fall of Assad, the extent of the evil of his regime has come into focus. Nowhere is that clearer than in Sednaya—the regime’s most notorious prison, torture complex, and death camp.
This week, Syrians flocked there to search for missing loved ones—and for a full accounting of the regime’s violent brutality. Our cameraman was among those crowds and, in collaboration with The Center for Peace Communications, we gained unprecedented access to Sednaya and heard from survivors of this factory of death.
Click here to watch our exclusive, firsthand look inside Assad’s most notorious prison.
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December 12, 2024 Heather Cox Richardson
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WATCH: Inside Assad’s ‘Human Slaughterhouse’ Tanya Lukyanova
In the days since the fall of the Assad regime, throngs of Syrians have been making their way up the steep hill just north of Damascus. Their destination is Sednaya—the regime’s most notorious prison, torture complex, and death camp that has long been a symbol of the regime’s brutality. They come searching for loved ones among the thousands of newly released prisoners.
Our cameraman was among those who made this pilgrimage. In collaboration with The Center for Peace Communications, we gained unprecedented access to Sednaya, capturing exclusive footage from inside its underground dungeons and recording the unvarnished testimonies of survivors—those lucky enough to emerge alive from what many have called a human slaughterhouse.
“They would call out names at dawn, strip the prisoners of their clothes, and take them away,” recalls Ahmed Abd Al-Wahid, a former inmate who endured years of captivity. “We knew from the sound of chains on the platforms that these were executions. Condemned prisoners wouldn’t be fed for three days prior. Once a month, they would search us. During one such search, an officer declared, ‘We’re not here to inspect; we’re here to kill.’ ”
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